Singer (Soprano)
Kirsten Mulcahy
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Ave Maria, Caccini
Tornami a Vagheggiar, Handel
Only In Sleep, Rehearsal Footage
About Kirsten
Kirsten is a Bath based classically trained soprano, recently graduated from Bath Spa University.
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Singer (Soprano)
Bath
Verified profile
Kirsten
2 verified reviews
Kirsten's Reviews
From customers:
NP
Nick P
5 years ago, for a Charity event in The Drapers Hall
DF
Deborah F
5 years ago, for a Charity event in The Drapers Hall
Encore badges
8th Anniversary
This act has been working with Encore for over 8 years
Kirsten's Song list
Please find below a small selection of my current repertoire. I am always willing to learn requests given a couple of weeks notice so please do ask.
Opera
-Adele's Laughing Song from Die Fledermaus by Strauss
-Ah! Belinda I am press'd with torment from Dido and Aeneas by Purcell
-Batti, Batti o bel Masetto from Don Giovanni by Mozart
-Beneath The Vine from Solomon by Handel
-Deh vieni non tardar from The Marriage of Figaro by Mozart
-Elle a fui, la tourterelle! from Les Contes D'hoffman by Offenbach
-Hark! The echoing air from The Fairy Queen by Purcell
-Heart, the seat of soft delight from Acis & Galatea by Handel
-I attempt from love's sickness to fly from The Indian Queen by Purcell
-La Vergine Degli Angeli from La Forza Del Destino by Verdi
-O war'ich schon mit dir vereint from Fidelio by eethoven
-O tis pleasant to float on the sea from Oberon by Carl Maria Von Weber
-Per la gloria, d'adoravi from Griselda by Bononcini
-Piangero, la sorte mia from Giulio Cesare by Handel
-Tornami a vagheggiar from Alcina by Handel
-Vilia from The Merry Widow by Franz Lehar
-Vissi d'arte from Tosca by Puccini
-Voi che sapete from The Marriage of Figaro by Mozart
-Where'er you walk from Semele by Handel
Full Works: Soprano
-Harmoniemesse Haydn
-Mass in G Schubert
-Durufle Requiem
-Faure Requiem
-Rutter Requiem
-Cantata no. 8 Bach
-Stabat Mater Pergolesi
-Vivaldi Gloria
Opera and Musical Theatre roles
-Dido and Aeneas by Purcell; roles of Belinda, Second Woman and Chorus
-Acis and Galatea by Handel; role of Galatea
-Orpheus in the Underworld by Offenbach; role of Diana and Chorus
-Carmen by Bizet; Chorus
-West Side Story by Bernstein; role of Maria
Musical Theatre and Jazz
-Alfie by Bacarach
-Anything Goes by Cole Porter
-Blue Moon by Rogers/Hart
-Can't we talk it over by Washington/Young
-Climb ev'ry mountain from The Sound of Music by Rodgers & Hammerstein
-Cry me a river by Arthur Hamilton
-Fly me to the moon from Once Around by Howard
-For once in my life by Miller/Murden
-I feel pretty from West Side Story by Bernstein
-I have confidence from The Sound of Music by Rodgers & Hammerstein
-If I loved you from Carousel by Rodgers & Hammerstein
-I've got you under my skin by Cole Porter
-Love is here to stay by Gershwin
-Lullaby of birdland by Weiss/Shearing
-Misty by Burke/Garner
-A nightingale sang in Berkeley Square by Maschwitz/Sherwin
-People from Funny Girl by Merrill/Styne
-Poor Wand'ring One from The Pirates of Penzance by Gilbert & Sullivan
-Somewhere from West Side Story by Bernstein
-Those magnificent men in their flying machine by Goodwin
-What are you doing the rest of your life? by Legrand
-When I fall in love by Heyman/Young
-Without you from My Fair Lady by lerner/Lowe
-You'll never walk alone from Carousel by Rodgers and Hammerstein
Classical
-Air Champetre by Poulenc
-Ave Maria; versions by Bach/Gounod, Caccini and Schubert
-Before my window by Rachmaninoff
-Chanson d'amour by Faure
-Dolente immagine di fille mia by Bellini
-En Priere by Faure
-He wishes for the cloths of heaven by Karl Jenkins
-How fair this spot by Rachmaninoff
-Ich folge dir gleichfalls from St John Passion by Bach
-The Lord's prayer by A.H. Malotte
-Morgen by Strauss
-Pie Jesu; versions from Faure Requiem, Durufle Requiem and by A.L Webber
-Ridente la calma by Mozart
-Rule, Britannia! by Arne
-Salve Regina by Pergolesi
-Se tu m'ami, se sospiri by Pergolesi
-Tell me, some pitying angel by Tate
-Wanderlied by Schumann
-When dasies pied by Arne
Song and Folk
-A Blackbird singing by Michael Head
-Danny Boy Trad. Irish
-Gretchen am spinnrade by Schubert
-I will go with my Father a-ploughing by Ivor Gurney
-The last rose of summer Trad. Irish
-L'heure exquise by Reynaldo Hahn
-Now sleeps the crimson petal by Roger Quilter
-Sleep by Ivor Gurney
-The Turtle Dove by Vaughan Williams
-The Water is Wide Trad.
-Under the greenwood tree by Roger Quilter
-We'll gather lilacs by Ivor Novello
Kirsten's Prices
Note: prices may vary based on travel distance. For an exact quote, click “Check availability”.
Standard Prices
Performance duration | Price | |
Short performance (up to 15 min) | £90 | |
Up to 1 hour | £125 | |
Up to 2 hours | £250 | |
Up to 3 hours | £320 |
Customer questions
What do your clients love most about your performances?
People are often most surprised by the versatility of my voice and my ability to fill a large venue with no amplification - I have often been compared to Persil - Small but Mighty!
Which venues have you performed at in the past?
Wiltshire Music Centre, Bradford on Avon
Hall for Cornwall, Truro
The Minack, Cornwall
The Draper's Hall, London
Bath Abbey
The Forum, Bath
St George's Hall, Bristol
Many smaller local churches for weddings and funerals.
What is the most high profile gig you've performed?
A Charity Auction and Dinner for a military Charity held at The Drapers Hall in London. The event raised a fantastic £60,000 for the incredible charity.
What if my timings change after I've booked you?
That is not a problem. I always try to be as flexible as possible. I have my own transport so a timing change is usually easy to accommodate.
How much time do you need to set up?
Usually about 10 minutes! Depending on the venue, it is useful to have a quick soundcheck and work out logistics surrounding where you would like me to be. If I am bringing backing tracks then this may add on 10 minutes.
Can I pick the pieces you play from the set list?
Of course. My set list is just a small snapshot of the repertoire I have available so do ask if you'd like something that doesn't appear.
Can you learn specific pieces before the event?
Absolutely. I am also more than willing to learn new repertoire if you have something specific in mind. Ideally, I would need about a week to learn a new piece to a high enough standard.
Musicianship
Genres:
Classical, Baroque, Classical crossover, Opera, Early music, Film / TV music, Swing, Easy listening, Light music, Folk, Traditional English folk, Traditional Irish folk, Traditional Scottish folk, Christmas, Traditional church music, Contemporary Christian, Military, 1940s era music, 1950s era music, 1960s era music, 1930s era music
See all genres
Event types:
Concert, Wedding, Wedding proposal, Funeral / Memorial service, Church service, Private event, Corporate event, Charity event, Recording session, Cruise, Burns night, Birthday party, Christmas party, New Year's Eve, Hotel / Restaurant event
See all event types
Other skills:
Singing teaching, Theory teaching
See all skills