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Organist

Douglas Tang

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About Douglas

Award-winning conductor, keyboardist & coach | International performer from Royal Albert Hall to Sydney Opera House | Cambridge-trained
Organist
London

Douglas Tang is an award-winning conductor, keyboardist and coach whose career spans Europe, Asia, the United States and Australia. Born in Hong Kong and educated at a Swiss-German international school, Harrow School and Dulwich College, he gained diplomas in piano and flute before taking up the organ comparatively late. He subsequently won an organ scholarship to the University of Cambridge, where he studied music and served as Organ Scholar of the Choir of King’s College, Cambridge. Douglas has held appointments including Assistant Director of Music at St Mary’s Cathedral Sydney, Chapel Organist of the Old Royal Naval College Greenwich, and Organ Scholar of Hereford Cathedral. He has also worked as an organ and vocal consultant for leading churches and choirs, advising institutions including Winchester, Chester and Rochester Cathedrals. He is currently Director of Music at St Pancras New Church, London. As a conductor, Douglas has directed orchestras, opera companies, chamber and cathedral choirs, consorts and choral societies throughout the UK and Europe. Projects have ranged from Monteverdi’s L’incoronazione di Poppea and conducting the Choir of Exeter College, Oxford at the Tower of London, to Christmas with the Stars at the Royal Albert Hall and conducting, arranging and performing at Malcolm Young’s funeral. His recording work includes projects for Disney, Marvel, the BBC, Hyperion and Willowhayne. An accomplished keyboardist, collaborative pianist and répétiteur, Douglas has worked with the Philharmonia Orchestra, Royal Philharmonic Orchestra, Britten Sinfonia, London Sinfonietta and Aurora Orchestra. As a continuo player, he has performed with the Academy of Ancient Music, Orchestra of the Age of Enlightenment and London Mozart Players. He was recently appointed official accompanist of the Llangollen International Musical Eisteddfod. His international career has taken him to venues including the Sydney Opera House, Royal Albert Hall, Wigmore Hall, St Paul’s Cathedral, Birmingham Symphony Hall, Esplanade Singapore, Washington National Cathedral and Prague Cathedral. He has an extensive discography and has broadcast internationally on television and radio. His recording The Hereford Experience received critical acclaim for its musicianship, vitality, fluency and technical mastery. A passionate advocate for musical education, Douglas has taught and coached conducting, opera, chamber music, musicianship, piano and organ at institutions including the Royal Academy of Music, Royal College of Music, Guildhall School of Music & Drama and Trinity Laban Conservatoire. He has also taught for Oundle for Organists, the Royal College of Organists and Eton Choral Courses. Douglas is an advocate for contemporary music, having premiered and performed works by Cecilia McDowall, Robin Holloway, Graham Fitkin, Dobrinka Tabakova, Francis Pott and Francis Grier. His awards include the Brian Runnett Prize and Musica Britannica’s Sir Anthony Lewis Memorial Prize. Today, Douglas combines conducting, performance and teaching through a selective portfolio of artistic projects, championing undervalued repertoire and thoughtful programming. He remains committed to the highest standards of musicianship, preserving and developing the English choral tradition while contributing to the wider world of classical music.

Douglas' Prices

Last updated: 2026

Note: prices may vary based on travel distance. For an exact quote, click “Check availability”.

Standard Prices
DurationPrice
Short performance (up to 15 min)£125
Up to 1 hour£187.50
Up to 2 hours£312.50
Up to 3 hours£437.50
Customer questions

What do your clients love most about your performances?

Clients often comment on the combination of musical excellence, warmth and versatility I bring to a performance. Whether creating an intimate atmosphere or something truly spectacular, I take great care to understand the occasion and make the music feel personal, memorable and perfectly suited to the moment.

Which venues have you performed at in the past?

I’ve performed at many prestigious venues internationally, including King’s College Cambridge, St Paul’s Cathedral, Westminster Abbey, Sydney Opera House and St Mary’s Cathedral Sydney, alongside concert halls, cathedrals, churches and private venues throughout the UK, Europe, Asia, Australia and the USA.

Which artists have you been most influenced by?

My influences are wonderfully varied: from Bach, Mozart and Rachmaninoff to the great English choral tradition and musicians I’ve been fortunate to work alongside. I’m particularly inspired by performers who combine technical brilliance with spontaneity, imagination and a real ability to communicate with an audience.

What is the most high profile gig you've performed?

One of the great privileges of my career was serving as Organ Scholar of the Choir of King’s College, Cambridge, performing and broadcasting with one of the world’s most celebrated choirs. My career has since taken me internationally as a conductor, organist and pianist, including performances across Europe, Asia, Australia and the USA.

What if my timings change after I've booked you?

I always aim to be as flexible as possible. If your timings change slightly in the lead-up to the event, just let me know and I’ll do my best to accommodate them. For significant changes, particularly those affecting arrival or performance times, we can discuss what is possible.

Can you provide an iPod/DJ service before and between your sets?

This is not usually part of a classical musican's service!

How much time do you need to set up?

For most performances, I usually allow around 30–60 minutes to set up and prepare, depending on the instrument, venue and programme. Where I’m performing on a venue’s organ or piano, I may also require some time beforehand to familiarise myself with the instrument and acoustics.

Can I pick the pieces you play from the set list?

Absolutely. I’m very happy to discuss the programme with you and tailor the music to your event, whether you have particular pieces in mind or would prefer me to curate a programme for you. I can also suggest repertoire to suit the occasion, venue and atmosphere you’d like to create.

Do you bring all the equipment you need to perform?

For organ and acoustic piano performances, I would normally use the venue’s instrument. I’m always happy to discuss the practical requirements with you beforehand.

Can you learn specific pieces before the event?

Absolutely. If there’s a particular piece that would make your event especially meaningful, I’m very happy to discuss learning it for you. I have an extensive repertoire, so I may already know your request; for substantial new repertoire or bespoke arrangements, an additional preparation fee may apply.
Musicianship
Genres:
Classical, Contemporary classical, Film / TV music, Renaissance, Medieval music, Early music, Baroque, Classical crossover, Fanfare, Musical theatre, Opera, Christmas, Traditional church music, Easy listening
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Instruments:
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Event types:
Wedding, Virtual event, Wedding proposal, Funeral / Memorial service, Church service, Hotel / Restaurant event, Bar / Club / Venue event, Private event, Corporate event, Charity event, Concert, Recording session, Theatre / Show, Birthday party, Christmas party, New Year's Eve, Cruise
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Other skills:
Arranger, Composer, Orchestrator, Producer, Transcription, Accompanist, Fluent improviser, Fluent sight-reader, Repetiteur, Perfect pitch, MC, Instrumental teaching, Theory teaching, Singing teaching, Examiner, Animateur
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