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An Otherwise Quiet Room presents: Missy Jones
Red Grenadier Like Rain Dorrigo Folk and Bluegrass Festival Friday 26th October 2018
Vocalist, violist and guitarist Missy Jones performs traditional, contemporary and original songs and tunes drawn from around the world.
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I can perform outdoors
I can perform with backing tracks
I can perform while walking around a venue
World music, Australian music, Balkan, Italian music, Greek music, Scottish music, Spanish music, Alternative rock, Indie, Acoustic, Vintage, Covers, Ambient pop, Easy listening, Originals, Light music, Experimental, Jazz, Blues, Swing, Jazz fusion, Postmodern jukebox jazz, Ragtime, Cabaret, Gypsy jazz, Folk, Ceilidh, Country, Folk rock, Traditional Irish folk, Traditional English folk, Traditional Scottish folk, Bluegrass, 1920s era music, 1930s era music, 1950s era music, 1960s era music, 1990s era music, Medieval music, Renaissance, Classical, Irish rock, Arabic, Classic rock, Early music, 1970s era music, 1980s era music, Pop, Britpop
Lyricist, Songwriter, Sound technician, Composer, Arranger, Fluent improviser, MC, Singing teaching, Instrumental teaching
Lighthouse (The Waifs)
You Were Meant for Me (Jewel)
Fire & Rain (James Taylor)
Hallelujah (Leonard Cohen) - choice of all 7 verses
Cheek to Cheek (Irving Berlin)
The Only Exception (Paramore)
Landslide (Fleetwood Mac)
Blue Skies (Irving Berlin)
I Can See Clearly Now (Johnny Nash)
Blackbird (Paul McCartney/The Beatles)
Thick as a Brick (Jethro Tull)
When We're Back Around (Scott Cook)
Rivers Run (Karine Polwart)
River (Joni Mitchell)
Knocking on Heaven's Door (Bob Dylan)
Romeo & Juliet (Dire Straits)
The First Time Ever I Saw Your Face (Ewan MacColl)
The Briar & the Rose (Tom Waits)
Mirabeau Bridge (James Keelaghan)
She Loves Me (Dougie MacLean)
Songbird (Bernard Fanning)
Fourth Floor (The Waifs)
Buckets of Rain (Bob Dylan)
Big Yellow Taxi (Joni Mitchell)
Wish You Well (Bernard Fanning)
Whiskey You're the Devil (Bella Hardy)
St James Infirmary (traditional / Louis Armstrong)
Thousands or More (traditional)
Loving Hannah (traditional)
Byker Hill (traditional)
From Little Things, Big Things Grow (Kev Carmody & Paul Kelly)
Hey Rain/The Innisfail Song (Bill Scott)
Sorry (Karine Polwart)
To Her Door (Paul Kelly)
Cold Missouri Waters (James Keelaghan)
The Golden Vanity/Sweet Trinity (traditional)
Willie McBride/Green Fields of France (Eric Bogle)
The Band Played Waltzing Matilda (Eric Bogle)
Four Loom Weaver (traditional)
He Fades Away (Alistair Hulett)
Anderson's Coast (John Warner)
Moreton Bay (traditional)
Instrumental pieces (traditional and original) - a variety of lengths and styles suitable for background music or dancing, including waltz, march, reel, jig, slip jig, slow air, polska, schottische/schottis, mazurka
Like Rain (original)
Lain at Your Feet (original)
Wren Song (original)
I Suppose (original)
What if my timings change after I've booked you?
I always try my best to be flexible to help ensure your event runs as smoothly as possible. If timings change slightly in the run up to the event just let me know. Last minute changes (<48 hours before) may increase the quoted fee if I have to reschedule other commitments because of it.
Can you provide an iPod/DJ service before and between your sets?
Generally, if performing unamplified, no; if performing with a PA, yes. If this is something you would like, please bring it up when enquiring and I will let you know what I am able to provide at the time.
How much time do you need to set up?
If performing unamplified, I will arrive 30-60 mins before the start time to set up my instruments and pack cases away. If a PA is provided, I will be there 1 to 1.5 hours before the performance time to ensure any soundchecking is complete before the event starts. If I am providing a PA, I will be there 1.5-2 hours before to set up and soundcheck.
Can I pick the pieces you play from the set list?
Yes, absolutely - I have a wide range of music that will suit different moods or events. I can perform themed sets around particular topics (e.g. love, war, travel, protest), or suited to different functional requirements (e.g. chorus songs for singing along, lively songs/tunes for dancing, sombre songs for reflective moments, or just background music).
Do you bring all the equipment you need to perform?
For intimate unplugged/acoustic gigs: Yes, I bring all my own instruments and stands. For amplified gigs: I do not have my own PA, so if you or the venue are not providing it, I will hire one to bring and this cost will be added to the fee. This will generally be around £50.
Can you learn specific pieces before the event?
Yes! Just ask, because if I don't already know it, up to 5 new songs are included in the set price. If you would like me to learn more than 5 new songs, there will be an extra fee of £20 per song for rehearsals. Keep in mind that some songs may not be suitable for the instrumentation I can provide, but I am happy to try a new interpretation for you!
What do your clients love most about your performances?
The storytelling in my songs, the range and tone of my voice, and the counterpoint between my voice and rich sound of the viola or my deft guitar playing. I have also been told by audiences that they were amazed how varied my set was for a solo performer.
Which venues have you performed at in the past?
I have performed at many festivals including Woodford Folk Festival, Illawarra Folk Festival, Dorrigo Folk & Bluegrass Festival and Cygnet Folk Festival in Australia, at Orkney Folk Festival and Stonehaven Folk Festival in the UK, and at Alkantara Festival in Italy. I have also played background music in bars and restaurants and sung for wedding ceremonies.
Which artists have you been most influenced by?
Cloudstreet, James Fagan & Nancy Kerr, Andy Irvine & Paul Brady, Mandy Connell.
What is the most high profile gig you've performed?
The Woodford Folk Festival opening ceremony, as a soloist with the Ethno Australia Folk Orchestra on the Amphitheatre stage (a venue seating around 20 000 people).
Note: prices may vary based on travel distance. For an exact quote, click “Check availability”.
|Short performance (up to 15 min)||£50|
|Up to 1 hour||£200|
|Up to 2 hours||£320|
|Up to 3 hours||£480|
Composing an original tune
I will write an original tune in honour of your occasion, or as a gift for somebody special. You can request the tune type (such as a waltz, jig, reel, slow air or march), and I will consult with you to get the right feel and mood for the piece. It will be 16-32 bars long and suitable for dancing or walking in procession to. Please note the tune will not have lyrics. This composition can be dedicated for any type of event, though it would be an especially romantic accompaniment for a wedding proposal, the bridal march during a wedding ceremony, or the first dance at a wedding reception. Price does not include a performance, only the commission of the tune.
Composing an original song
I will compose an original song for your occasion or as a gift for somebody special. You can make requests such as a key that you will be able to sing it in yourself, lyrics or themes you wish to be included, and the rhythm or style of the song - I will consult with you throughout the composition process to ensure the song is suits the mood and feeling of the occasion. You can expect the song to be around 2-4 verses long with a refrain or chorus (total time 2:30-3:00 minutes), but the structure is flexible depending on your wishes. This composition can be dedicated for any type of event, though it would be an especially romantic for a wedding ceremony or anniversary, a thoughtful gift for a significant birthday, or as a memorable addition to a funeral or memorial service. Price does not include a performance, only the commission of the tune.
Susan C, 1 year ago
Ann C, 3 years ago