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Singer (Soprano)

Kathleen Greene

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About Kathleen

Kathleen is a soprano living in London. She performs classical, operatic and musical theatre repertoire. She also teaches voice.
Singer (Soprano)

Kathleen Anne Greene was born in Hong Kong and is of Irish, Chinese and Filipino descent. She moved to Walton-on-Thames, Surrey at the age of 3 before returning to Hong Kong at 13 to complete her secondary education. In 2015, she graduated from university at the London College of Music with a BMus (First Class Honours) under the tutelage of Sandra Ford. During her studies at the LCM, she was awarded the prestigious Dr William Barry Trust Fund scholarship. She currently is studying under soprano Ann De Renais. Kathleen made her public stage debut in 2009 as Johanna in the Hong Kong Youth Arts Foundation’s production of Sondheim’s Sweeney Todd. She has appeared as Amore (Orfeo ed Euridice, Gluck) and Fire/Nightingale (L’enfant et les sortilèges, Ravel) at the LCM, and Nancy (Oliver!, Bart) with RCHK. Operatic roles include 1st Boy (cover) (The Magic Flute, Mozart) with Hampstead Garden Opera, and 2nd Witch (cover) (Dido and Aeneas, Gluck) with Helios Collective and Chorus for Collision, a new opera by Lewis Coenen-Rowe. In early 2017, she had the privilege of being on the Young Artist Programme with Bury Court Opera where she performed their new opera Mad King Suibhne (Mosley). She was an integral part of the ensemble and also covered the role of The Woman at the Well and Lady. Kathleen had the privilege to sing at Wembley Stadium in 2017 prior to the Ladbrokes Challenge Cup Final in front of nearly 70,000 fans. In 2016 she placed 1st in both the Lieder and French Song classes at the Ealing Music Festival, and was also a finalist in the AESS' Courtney Kenny Award. In previous years, she has won the Michael James Singers' Prize for Oratorio, was awarded Highly Commended in the John Ireland Competition, and placed both 1st and 2nd in the Hong Kong Music and Speech Festival’s competition for Vocal Solo. During the summer of 2016, she participated in the National Opera Studios' Intro to Opera Short Course. In 2015, she participated in workshops by Sally Burgess as well as the British Youth Opera. She has worked with several coaches including Norbert Mayn, Florence Daguerre de Hureaux, Isabella Radcliffe and Joe Middleton. Kathleen also attended UCLA's Summer Program for Musical Theatre in 2010 and received training from Stagecoach throughout her youth.

Performance details
I can perform with backing tracks
I can perform while walking around a venue
Encore awards
4th Encoreversary
Classical, Christmas, Traditional church music, Baroque, Early music, Musical theatre, Opera
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Event types:
Theatre / Show, Funeral / Memorial service, Church service, Hotel / Restaurant event, Private event, Corporate event, Charity event, Concert, Recording session, Cruise, Christmas party
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Other skills:
Actor, Singing teaching, Theory teaching
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Song list

Ich folge dir gleichfalls - St John’s Passion
Sleep Now
Be Still and Know
Es hing der Reif
Wie Melodien zieht es mir
Go Not, Happy Day
Be Kind and Courteous - A Midsummer Night’s Dream
Tiny’s Song - Paul Bunyan
Le colibri
Nuit d’étoiles
Sous le dôme épais - Lakmé - Lakmé
Cloths of Heaven
Après un rêve
Au bord de l’eau
Clair de lune
Le papillon et la fleur
Requiem (Pie Jesu)
The sun whose rays - The Mikado
Gli sguardi trattieni - Orfeo ed Euridice
Se il dolce suon - Orfeo ed Euridice
O del mio dolce ardor
À Chloris
L’heure exquise
With Verdure Clad - The Creation
A Blackbird Singing
A Piper
The Little Road to Bethlehem
Ships Of Arcady
If There Were Dreams To Sell
Spring Sorrow
Liebst du um Schönheit
The Lord's Prayer
Appena mi vedon - La Finta Giardiniera
Batti, batti - Don Giovanni
Das Veilchen
Deh vieni non tardar - Le Nozze di Figaro
In uomini - Così fan Tutte
Padre, germani, addio - Idomeneo
Ridente la calma
Sull’aria - Susanna - Le Nozze di Figaro
Una donna a quindici anni - Così fan Tutte
Stizzoso, mio, stizzoso - La serva padrona
Le Sommeil
Quelle Aventure!
La Reine de cœur
Ba, Be, Bi, Bo, Bu
Les Anges musiciens
La Carafon
Lune d’Avril
O mio babbino - Gianni Schicchi
Quando men vo - La boheme
Hark! How All Things With One Sound - The Fairy Queen
Hark! How the Songsters of the Grove - Timon of Athens
Lost is My Quiet Forever
My Dearest, My Fairest - Pausanias
No, Resistance is But Vain - The Maid’s Last Prayer
O, Dive Custos
Shepherd, Shepherd, Leave Decoying - King Arthur
Sound the Trumpet - Come Ye Sons of Art
Thrice Happy Lovers - The Fairy Queen
Two Daughters of this Aged Stream are We - King Arthur
We the Spirits of the Air - The Indian Queen
Now Sleeps The Crimson Petal
Maria Wiegenlied
Le violette - Pirro e Demetrio
An den mond
Ave Maria
Nähe des Geliebten
Meine Rose
En slända
Das Rosenband
Du meines Herzens Krönelein
Meinem Kinde
Abide With Me
National Anthem - England
Saper vorreste - Un ballo in maschera
Sul fil d’un soffio - Falstaff
Auf ein altes bild
Customer questions

What is the most high profile gig you've performed?

Wembley Stadium - I sang the National Anthem for the Challenge Cup in front of nearly 70,000 people!

What if my timings change after I've booked you?

I always try and stay flexible for events and if there is a change in time, I should be able to accommodate. Just let me know and I will do my best.

Do you bring all the equipment you need to perform?

I am able to bring backing tracks for my performances. If you would prefer a live accompanist (e.g. pianist) then this will need to be discussed and an additional payment may be needed to accommodate.

Can you learn specific pieces before the event?

This is time dependant and song dependant - I would normally ask for 2 weeks notice but if the song is more complex (e.g. opera aria) I may not be able to learn it in time.


Note: prices may vary based on travel distance. For an exact quote, click “Check availability”.

Standard Prices
Performance durationPrice
Short performance (up to 15 min)£40
Up to 1 hour£150
Up to 2 hours£280
Up to 3 hours£350


From customers:

Simon, 4 years ago

Kathleen has a beautiful voice, with clear diction and an exacting sense of intonation. Her head-voice is particularly colourful, and her chest-voice also very attractive. She is a musical performer, but also enjoys a high level of technical facility, supported by a critical understanding of the repertoire.


My most memorable experience. It was genuinely awesome.