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Jonathan Delbridge

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About Jonathan

Jonathan is well known for his exciting and varied concert programmes on both the piano and organ performing at venues throughout the UK.
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Public liability insurance of £10 million

Jonathan’s interest in music began at the age of just four when he started piano lessons with his mother. He continued to study under her until he passed his grade 8 exam at the age of fifteen. In December 2004, Jonathan gained the FRSM diploma in piano performing and in July 2005 he also passed the ALCM diploma in jazz piano. More recently, in October 2011 he achieved a distinction in the DipMusTh(ICMA) diploma in music theory. He has a busy career as a freelance soloist, choir director and teacher of piano and organ based in South Somerset. As a pianist, Jonathan performs at venues throughout the UK including the Royal Albert Hall, York Minster, Norwich Cathedral and the Hall for Cornwall. His programmes are entertaining and often include a wide range of music: his own arrangements of jazz standards by Gershwin, Scott Joplin and others; major classical works, such as Liszt's B minor Sonata and Mozart's Piano Concerto in A K488, and his own improvisations. Jonathan likes to interact with the audience, giving background information on the music and often injecting some humour into the concert. From the age of eight, Jonathan can remember hearing Gordon Philips (organist of All-Hallows-By-The-Tower, London and Professor at London College of Music) playing on his Granddad's 4-manual organ which was rescued from a church in Torquay and rebuilt in a purpose built building on the family farm. Being fascinated by the range of sounds and tonal colours that this instrument could achieve, at the age of 12 Jonathan began to teach himself the organ. In July 2007 he gained the LTCL recital diploma with distinction. Jonathan has performed with international concert organist Carlo Curley in a concert for two organs and has also regularly been the organist at Truro Cathedral for the BBC Radio Cornwall Christmas Carol Concerts. Jonathan is in great demand as a accompanist. He regularly performs with professional and amateur soloists and ensembles including international virtuoso trumpeter Crispian Steele-Perkins, bass Arwel Huw Morgan, clarinettist David White, and the East Cornwall Bach Choir. He also accompanies for the Two Moors Music Festival and for graded and diploma exams.

Encore awards
4th Encoreversary
Classical, Baroque, Christmas, Traditional church music, Jazz, Ragtime
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Event types:
Concert, Wedding, Funeral / Memorial service, Church service, Recording session
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Other skills:
Arranger, Composer, Fluent improviser, Fluent sight-reader, Instrumental teaching, Theory teaching, Accompanist
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Song list

Prelude and Fugue formed on an Indian scale Alwyn (1905-1985)
Nola Arndt (1889-1918)
Sonata no. 7 in A Arne (1710-1778)
Invention no. 1 in C major BWV 772 J S Bach (1685-1750)
Invention no. 2 in C minor BWV 773 J S Bach (1685-1750)
Invention no. 8 in F major BWV 779 J S Bach (1685-1750)
Sinfonia in G minor BWV 797 J S Bach (1685-1750)
Prelude and Fugue in C major BWV 846 J S Bach (1685-1750)
Prelude and Fugue in C minor BWV 847 J S Bach (1685-1750)
Prelude and Fugue in C sharp major BWV 848 J S Bach (1685-1750)
Prelude and Fugue in D major BWV 850 J S Bach (1685-1750)
Prelude and Fugue in D minor BWV 851 J S Bach (1685-1750)
Prelude in E major BWV 854 J S Bach (1685-1750)
Prelude in F minor BWV 857 J S Bach (1685-1750)
Prelude and Fugue in C major BWV 870 J S Bach (1685-1750)
Prelude and Fugue in D major BWV 874 J S Bach (1685-1750)
Prelude in F minor BWV 881 J S Bach (1685-1750)
Partita no. 1 in Bb BWV 825 J S Bach (1685-1750)
First movement from Italian Concerto BWV 971 J S Bach (1685-1750)
Number one from Suite Op. 14 Bartok (1881-1945)
Number four from Suite Op. 14 Bartok (1881-1945)
Cornish Rhapsody Hubert Bath
Minuet and Trio from Sonata in B flat Op. 22 Beethoven (1770-1827)
Sonata in F minor Op. 2 no. 1 Beethoven (1770-1827)
Sonata in C Op. 2 no. 3 Beethoven (1770-1827)
Sonata in C minor “Pathetique” Op. 13 Beethoven (1770-1827)
Sonata in G Op. 14 no. 2 Beethoven (1770-1827)
Sonata in Ab Op. 26 Beethoven (1770-1827)
Sonata in C sharp minor “Moonlight” Op. 27 no. 2 Beethoven (1770-1827)
Sonata in G major Op. 49 no. 2 Beethoven (1770-1827)
Sonata in E Op. 109 Beethoven (1770-1827)
5 Variations in D “Rule Britannia” WoO 79 Beethoven (1770-1827)
7 Variations on God Save the King WoO78 Beethoven (1770-1827)
Fur Elise WoO 59 Beethoven (1770-1827)
Canzonetta Bridge (1879-1941)
Sonata in D Op. 1 no. 1 Burton (1730-1782)
Scarf Dance Op. 37 no. 3 Chaminade (1857-1944)
Nocturne in Eb major Op. 9 no. 2 Chopin (1810-1849)
Nocturne in F minor Op. 55 no. 1 Chopin (1810-1849)
Nocturne in C sharp minor Post. Chopin (1810-1849)
Etude in C Op. 10 no. 1 Chopin (1810-1849)
Etude in A minor Op. 10 no. 2 Chopin (1810-1849)
Etude in E Op. 10 no. 3 Chopin (1810-1849)
Etude in C sharp minor Op. 10 no. 4 Chopin (1810-1849)
Etude in Gb major Op. 10 no. 5 “Black keys” Chopin (1810-1849)
Etude in Eb major Op. 10 no. 11 Chopin (1810-1849)
Etude in C minor Op. 10 no. 12 “Revolutionary” Chopin (1810-1849)
Etude in Ab Op. 25 no. 1 Chopin (1810-1849)
Polonaise in A major Op. 40 no. 1 Chopin (1810-1849)
Prelude in A minor Op. 28 no. 2 Chopin (1810-1849)
Prelude in E minor Op. 28 no. 4 Chopin (1810-1849)
Prelude in B minor Op. 28 no. 6 Chopin (1810-1849)
Prelude in A major Op. 28 no. 7 Chopin (1810-1849)
Prelude in E major Op. 28 no. 9 Chopin (1810-1849)
Prelude in F sharp major Op. 28 no. 13 Chopin (1810-1849)
Prelude in Db major Op. 28 no. 15 (Raindrop) Chopin (1810-1849)
Prelude in C minor Op. 28 no. 20 Chopin (1810-1849)
Berceuse O. 57 Chopin (1810-1849)
Barcarolle Op. 60 Chopin (1810-1849)
Waltz in Eb Op. 18 Chopin (1810-1849)
Waltz in Ab Op. 34 no. 1 Chopin (1810-1849)
Waltz in A minor Op. 34 no. 2 Chopin (1810-1849)
Waltz in Ab Op. 42 Chopin (1810-1849)
Waltz in Db Op. 64 no. 1 (Minute) Chopin (1810-1849)
Waltz in C sharp minor Op. 64 no. 2 Chopin (1810-1849)
Waltz Op. 69 no. 1 (Posthumous) Chopin (1810-1849)
Waltz in B minor Op. 69 no. 2 Chopin (1810-1849)
Fantaisie-Impromptu in C sharp minor Op. 66 Chopin (1810-1849)
Ballade no. 1 in G minor Op. 23 Chopin (1810-1849)
Mazurka in F Op. 7 no. 1 Chopin (1810-1849)
Mazurka in A minor Op. 7 no. 2 Chopin (1810-1849)
Mazurka in C Op. 33 no. 3 Chopin (1810-1849)
Mazurka in A minor Op. 68 no. 2 Chopin (1810-1849)
Mazurka in F Op. 68 no. 3 Chopin (1810-1849)
Scherzo no. 2 Op. 31 Chopin (1810-1849)
Sonata in B minor Op. 58 Chopin (1810-1849)
Sonatine in D Op. 36 no. 6 Clementi (1752-1832
Impromptu Op. 78 no. 1 Coleridge-Taylor (1875-1912)
Les Baricades Misterieuses Couperin (1668-1733)
Andante Cantabile Czerny (1791-1857)
Farewell to Stromness Sir Peter Maxwell Davies (b.1934)
La Fille aux cheveux de lin Debussy (1822-1918)
Prelude from Suite Bergamasque Debussy (1822-1918)
Clair de lune Debussy (1822-1918)
Two Arabesques Debussy (1822-1918)
Reverie Debussy (1822-1918)
Children's Corner Debussy (1822-1918)
Capriccio Concert Etude Op. 28 no. 6 Dohnanyi (1877-1960)
Rhapsody in C Op. 11 no. 3 Dohnanyi (1877-1960)


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Standard Prices
Performance durationPrice
Short performance (up to 15 min)£75
Up to 1 hour£150
Up to 2 hours£250
Up to 3 hours£500
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From customers:

Arwel (, 5 years ago

Jonathan is an accomplished pianist whose sensitive musicianship and unerring ability to follow as an accompanist is a boon to any soloist, instrumental and vocal alike

Chris C, 5 years ago

It is always a great pleasure to work with Jonathan Delbridge as an accompanist for choirs. His excellent musicianship and keyboard skills ensure that he follows carefully the conductor and is also very sensitive to the performance of the choir. I can concentrate solely on the choir, knowing that he will add further support if necessary; helping me to re-establish tempi and tuning if necessary and seamlessly covering missed beats and entries.

Read all 5 reviews