Saxophonist

David Baron Stevens

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About David

I'm San Francsico-born & a Unison Saxophone Artist. Whether corporate/wedding/party/or dance, your guests love my talent & professionalism!
Saxophonist
Southampton
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David Baron Stevens is a Performer, Composer, Arranger, Event Planner, and Music Educator, as well as Entrepreneur, Mac/PC Technician, and Labor Consultant. His skills are world-class, with the experience and expertise on many subjects which allow him to excel in various roles. His is best known, however, for his exciting and emotional saxophone performances that leave audiences as excited and moved as they are fascinated by his technique and presence. His love of all sorts of genres of music informs and blends his own sound into something that can be appreciated by any class of citizen, anywhere in the world. In that way, we all truly speak the same language. early years David Baron Stevens was born in August, 1980, in Hollywood, California, at Kaiser Permanente on Sunset Boulevard (yes, it's on the birth certificate!!!). His father, David Stevens, a Romani from New York with natural talent in music and dance, met his mother, Sonia Flores, an immigrant from El Salvador who entered the USA at age 8 with her father and family. Age 6 would see his first instrument, a Casio keyboard which had a record function. It wasn't long before he was composing and recording songs to impress the cutest girl in class. Early study of music After his family broke up and a move away from his father and the Los Angeles area to Central California, namely the dairy town of Tulare, DBS began to study music in the public school system at age 12 with Susan Burley (aka Shagoian). Susan's sheer love and respect for jazz and big band music and her exposure to her children (students) of some truly great professionals, such as her late brother Paul Shagoian and many others, led so many of my contemporaries who went on to careers in music and are eternally grateful for her guidance and structure. Credit is also due his dear uncle, Manuel Flores, a trumpeter in Los Angeles, who gave him his first, and what would be his only lesson for the next 6 years. One summer, when he was not even yet 16 years old, they sat down and spoke about young DBS' desire to be a pro in music. His words changed the life and trajectory of that young directionless boy: "Son, if you want to be a professional and get paid to do this, you need to do what everyone else does: go to work 6 hours per day, and then you'll get paid. We musicians have two full-time jobs. One is to perform, and the other is to prepare to perform." Immediately he went back home, broke up 6 hours into a full-day's schedule, starting at 8:00 am and accounting for long tones before his first toilet break. After two months of this focused study and pursuit of mastery, he would be on the path to being offered his first professional job as a saxophonist before the end of that year. He was later honored by offers of entry and scholarships, from not only California State Universities, Fresno and Northridge, but also famed Berklee College of Music in Boston and The Julliard School in New York. DBS passed the California High School Proficiency Exam (CHSPE) in late 1996, essentially graduating from High School a year and a half early. Quickly he registered for classes at Fullerton College in south Los Angeles, known for it's jazz program. He was ready to begin his life. This meteoric rise in the music industry, along with his life, would be nearly completely cut short in May 1997. DBS was involved in a car collision that left his body shattered and in a coma for 3 days, only to wake with complete paralysis in the left side of his face. He was unable to play the saxophone, among the other horrors he was to face in recovery, some of which are still felt to this day. DBS' characteristic determination soon took hold. September of 1997 saw the first intentional movement of a muscle in his left face. Weeks later he could sustain a note on the sax without leaking air through the weak side of his mouth. By December he filed an audition, against hundreds of other young California saxophonists from Los Angeles and San Francisco, and every rich town in between. He was soon informed that he had earned the top spot in the State of California for the Alto Saxophone. In early 1998, while a student of Tulare Western High School (Tulare, CA, USA), DBS represented his little dairy town in the middle of the biggest farm in the USA, in his position as the Lead Alto Saxophone in the IAJE/CMEA California All-State Jazz Ensemble led by guest director Dan Gailey of University of Kansas. In 2005, while a student of College of The Sequoias (Visalia, CA, USA), he earned the 2nd Alto Sax position for the IAJE Community College All-Star Jazz Ensemble, representing his school among all community colleges in the United States. That year he also completed dual-Associate of Arts in Instrumental and Vocal Music, both from College of The Sequoias, in Visalia, California, USA. Early career in music Soon after his near-400 hours of training, and at the age of 16, barely able to drive, he joined the College of The Sequoias Thursday Night Jazz Band, led by one of his long time mentors Bill Butts, and full of many of his current (at the time), former, and future teachers, as well as some truly seasoned professionals. Through this band, he had the honor of meeting and supporting such legendary artists as: Bill Waltrous, Pete Christlieb, Gary Foster, Steve Allen, Eric Marienthal, Wayne Bergeron, Ed Shaugnessy, Bill Cunliffe, to name a few. As a result he soon learnt how to connect and work with talents of this caliber. This would be, in fact, where he learnt most of the most important lessons he ever gained in his career. It also led to a call for a job with well-known Fresno bandleader Joe Lenigan of the Statesmen Big Band, who performed big band music for some of the highest-profile events in the area and raised funds for California State University, Fresno scholarships. Some years later, DBS' voluntary work with that band would come back around in an offer of a full-ride scholarship from the same university. The band under his own name began performing around 1999, in Visalia, California, on Main Street at Visalia Coffee Company. Within months, he could be found performing at any number of establishments along Main with his own band or others, as well as in Tulare, and soon all over the Central San Joaquin Valley. In late 1999 DBS began working in Los Angeles with Wayne Foster Entertainment, a corporate band based in Southern California. Their performance on New Years' Eve, 1999 aka "The Millennium", was in Las Vegas, Nevada, at The Mirage Hotel, opening and closing for Lionel Ritchie. It was truly a life-changing experience for a teenager who'd not long ago nearly died and couldn't walk or pee normally, let alone perform at the level required for such a show. The early also 2000s saw his entry into the tribute band scene of Los Angeles where he began to perform with a band called Steely Fan Band with new classmate and friend, the late great Benny Golbin. Often at home at shows at Paladino's on Reseda Blvd near Cal State Northridge, where he soon came in to contact and began working with other bands on the scene, such as Which One's Pink, a Pink Floyd Tribute. Fast-forward to today and the East in 2015, DBS met his newborn daughter and moved to the United Kingdom in order to be as active in her life as possible. Today you can find DBS perform with some of London and The South of England's best jazz, soul, and rock musicians. DBS is currently cultivating a new small teaching studio and is accepting potential apprentices.

David
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5 out of 5
1 verified review

David's Reviews

From customers:

BP
Ben P
8 years ago, for a Wedding in Russell Square
Full starFull starFull starFull starFull star
5 out of 5

David is a fantastic musician, both as an improviser and as a member of a horn section. He depped [as a substitute] in my band and did a great job musically (great tone, rhythmic feel, stylistic knowledge and intonation), as well as looking the part onstage. Also a great guy to hang out with on the set breaks and on the journey home.

LG
Lee M
8 years ago

Dave is a great guy and a fine musician. I have always enjoyed playing sessions with him. Always brings a good energy to every situation he performs in. Good company on journeys!

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David's Prices

Note: prices may vary based on travel distance. For an exact quote, click “Check availability”.

Standard Prices
Performance durationPrice
Short performance (up to 15 min)£180
Up to 1 hour£180
Up to 2 hours£250
Up to 3 hours£325
Packages
Wedding Ceremony - Classical
This includes music before the service begins, music during the signing of the register, and music as guests leave. Selections performed on flute and guitar from the standard classical repertoire
£300

Add-ons

Special Request Song
+£10
Vocalist add-on
+£100
Flute - add on
+£100
Classical Music add-on
+£100
Percussionist add-on
+£150
Customer questions

What do your clients love most about your performances?

My clients love to hear me perform instrumental versions of songs and artists they rarely hear, such as Erykah Badu, D'Angelo, and Dr. Dre presented in a jazz format I've also found that wherever I go in the world, people LOVE Latin music, so when I bust out the cha cha cha, the dance floor fills up quickly!

Which venues have you performed at in the past?

The Mirage, Las Vegas, Nevada, USA The Staples Center, Los Angeles, California, USA B.B. King Blues Club, Memphis, Tennessee, USA Smalls Jazz Club, New York City, New York, USA Club Deluxe, San Francisco, California, USA The Union Room, San Francisco, California, USA Jersey Opera House, Jersey, United Kingdom Ronnie Scotts Jazz Club, London, United Kingdom

Which artists have you been most influenced by?

Bill Evans (piano) Miles Davis (trumpet) Dr. Dre Wu-Tang David Sanborn Erykah Badu D'Angelo Parliment Funkadelic Marvin Gaye Al Green Aretha Franklin John Coltrane Michael Brecker Joao Gilberto Stan Getz Paul Desmond Sarah Vaughan

What is the most high profile gig you've performed?

On December 31, 1999, at age 19, I had the privilege of opening for Lionel Ritchie for the Millennium NYE Party at The Mirage Hotel and Casino in Las Vegas, Nevada, USA. It was an experience I will never forget, spending time with Lionel's band and learning some life lessons that have served me throughout my entire career in music.

What if my timings change after I've booked you?

We always try our best to be flexible to help ensure your event runs as smoothly as possible. If we can accommodate at no cost, we will endeavor to do so. There may be fees for changes longer than an hour.

Can you provide an iPod/DJ service before and between your sets?

Absolutely. This is a really popular request and we actually offer this service for free. If you'd like a proper DJ service via our PA after the final set until the venue closes, we can provide this starting at an additional £100, depending on the timing.

How much time do you need to set up?

We usually set up 1-1.5 hours before performance time. As soon as our PA is set up, we are happy to provide a free playlist service to help set the ambiance and get your guests ready for our live performance!

Can I pick the songs you play from the set list?

I can offer you 3 song choices from my repertoire at no additional fee. More may be chosen with a fee. That being said, our set lists are crafted from countless performances and what works well to make the guests feel great and have a great time.

Do you bring all the equipment you need to perform?

Yes! We bring all our own gear, and the highest quality at that. All we require from the venue or client is rated power close enough to our performance area.

Can you learn song requests before the event?

If a song isn't included in our song list there may still be a chance we already know it. If there is a special song you'd like us to learn, we are happy to do this for you. There is a fee of £30 for this service to take into account rehearsal and music preparation, etc.
Musicianship
Genres:
Jazz, Christmas, Musical theatre, Classical, Classical crossover, Contemporary classical, Opera, Baroque, Electronic, House, 1920s era music, 1930s era music, 1940s era music, 1950s era music, 1960s era music, 1970s era music, 1980s era music, 1990s era music, Rockabilly, Gypsy jazz, Gospel, Blues, Jazz fusion, Swing, Latin jazz, Dixieland, Modern jazz, Easy listening, Experimental, Originals, Light music, Pop, Covers, Hip Hop, Soul, Top 40, Disco, Acoustic, Funk, Motown, Tribute, Vintage, R&B, Funk rock, Americana, Rock, Hard rock, Britpop, Heavy metal, Classic rock, World music, Brazilian music, Cuban music, Italian music, Mariachi, Spanish music, Samba, Tango, Scottish music, Reggae, Merengue, Jewish music, Calypso, Flamenco, Klezmer, Ska, Salsa, Latin, Choro, Bossa nova, Traditional church music, Film / TV music, Ambient, Breakbeat, Deep house, Drum 'n' Bass, EDM, Electro-Swing, Ibiza club, Triphop, Techno, Bluegrass, Cabaret, Postmodern jukebox jazz, African music, Afrobeat, Arabic, Argentinian, Armenian, Asian music, Australian music, Balkan, Bavarian oompah, Bollywood, Caribbean music, Cumbia, French music, German music, Greek music, Hawaiian music, Indian music, Polish music, Polka, Polynesian music, Russian music
See all genres
Instruments:
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Event types:
Corporate event, Wedding, Wedding proposal, Funeral / Memorial service, Hotel / Restaurant event, Bar / Club / Venue event, Private event, Concert, Recording session, Theatre / Show, Cruise, Burns night, Birthday party, Christmas party, New Year's Eve, Virtual event, Charity event
See all event types
Other skills:
Arranger, Orchestrator, Audio engineer, Producer, Composer, Sound technician, Transcription, Fluent improviser, Fluent sight-reader, Instrumental teaching, Theory teaching, Singing teaching, Composition teaching, Musicologist, Community music worker, Drum technician, MC, Examiner
See all skills