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Pianist

Connie Luk

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About Connie

Connie is a passionate collaborative pianist who is now actively performing around London.
Connie Luk's profile picture
Pianist
London

Connie Luk, originally from Hong Kong, has received her Guildhall Artist Masters of Performance in Guildhall School of Music & Drama principal in piano accompaniment, where she studied with Ms Pamela Lidiard and now she is privately studying with Mr Roger Vignoles. When she was studying, she has received coaching and master classes from Graham Johnson, Julius Drakes, Martin Katz, Eugene Asti, Iain Burnside and many more. Connie was recommended in the Piano Accompaniment Prize in Guildhall School of Music & Drama and has been the selected candidate in 8th Concours International De Chant-Piano Nadia Et Lili Boulanger in Paris, France. In this late summer, she received scholarship from the Franz-Schubert-Institut for their Master Course in Baden bei Wien, Austria where she had coaching and master classes with Roger Vignoles, Helmut Deutsch, Wolfram Rieger, Michael McMahon and many more. She is actively performing in UK including in the Oxford Lieder Festival, the Wigmore Hall, Talent Unlimited Music Futures Festival, Milton Court Concert Hall, St. Barnabas Church, Bloomsbury Central Baptist Church and many more. Also, as an opera enthusiast, she has worked with the British Youth Opera as a repetiteur in 2015 summer. As an uprising musician, Connie is eager to perform classical music in new ways. She created song-theater-productions and worked as both director and pianist including Cabaret Girls and The Girl who Grew Up in the Song in the City and has gained a great success.

Musicianship
Genres:
Classical
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Instruments:
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Event types:
Church service, Wedding, Wedding proposal, Funeral / Memorial service, Corporate event, Charity event, Concert, Recording session, Theatre / Show
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Other skills:
Transcription, Orchestrator, Composer, Arranger, Fluent sight-reader, Repetiteur, Instrumental teaching, Theory teaching, Accompanist
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Song list

Repertoire list
Britten A Charm of Lullabies for mezzo-soprano and piano (1947)
On this Island for high voice and piano (1937)
Tit for Tat for voice and piano (Walter de la Mare; 1928–31, revised and published 1969)
Winter Words for tenor and piano (1954)
Some of his arranged folk songs and part of his Cabaret Songs
Schubert Rastlose Liebe, Op.5 No1
Am Grabe Anselmo’s, Op.6 No.3
Suleika, Op.14
Ganymed, Op.19 No.3
Wohin?, Op.25 No.2
Danksagnug an den Bach, Op.25 No.4
Die Forelle, Op.32
Die Junge Nonne, Op.43 No.1
Nacht und Träume, Op.43 No.2
An den Mond, Op. 57 No.3
Lied der Mignon, Op.62, No.4
Der Wachtelschlag, Op.68
Auf dem Wasser zu singen, Op.72
An die Musik, Op.88 No.4
Frühlingstraum, Op.89 No.11
Der stürmische Morgen, Op.89 No.18
Täuschung, Op.89 No.19
Gesänge des Harfners, D. 478
Der Jüngling und der Tod, D.545
Auf der Riesenkoppe, D.611
Die Sterne D. 684
Am Flusse, D.766
Nachtviolen, D.752
Dass sie hier gewesen!, D.775
Auflösung, D807
Gondelfahrer, D.808
Bei dir Allein, D.866/2
Im Frühling, D882
Der Winterabend, D.938
Ständchen, D.957
And many more

Prices

Note: prices may vary based on travel distance. For an exact quote, click “Check availability”.

Standard Prices
Performance durationPrice
Short performance (up to 15 min)£80
Up to 1 hour£200
Up to 2 hours£380
Up to 3 hours£550

Reviews

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4 verified reviews
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From Encore customers:

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Angelina S, 2 years ago

Connie was absolutely delightful. A big thank you.

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Rachel D, 1 year ago

Connie comes across a very musical and sensitive acconpanist aleays asking thoughtful questions so she can deliver the best possible musical support for any soloist in all capacities that i've experienced her playing, from playing in church services to accompany congregational singing anf also proffessional soloists to tackling challenging contemporary accompaniment.

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Verified
Rachel D, 1 year ago

Connie comes across a very musical and sensitive acconpanist aleays asking thoughtful questions so she can deliver the best possible musical support for any soloist in all capacities that i've experienced her playing, from playing in church services to accompany congregational singing anf also proffessional soloists to tackling challenging contemporary accompaniment.

Read all 3 reviews