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Clare Harris

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About Clare Harris

'Sublime' jazz vocalist, delivering traditional and contemporary songs with versatility, 'purity of tone' and dedication to the audience.
Public liability insurance of £1 million

“Sublime Vocals” A few recent testimonials: “You have a fantastic voice” – guest, New Year’s Eve 2019, 4* hotel, the Cotswolds ‘Sublime vocals….Whenever I thought there was a record on or a playlist on Spotify, I looked across at you by the window and it was your voice, such a purity of tone and perfect pitch as well.’ Ashley Casselle, music producer and DJ “Our customers loved her - some of them came back to see her several times. Clare was professional at all times, lovely to work with, totally reliable and really seemed to care about her audience. She sang a varied set of songs, with something for everyone included. The customers (and staff) enjoyed it immensely; we’ve invited her back!” – Gentz, Manager; London restaurant where I completed a two month residency in 2019. “Like a songbird” - guest at a private party, high end restaurant, London BIOGRAPHY Clare loved jazz from the first time she heard it, her early experience being the recordings of Ella Fitzgerald, Sammy Davis Jnr, big band music and more, along with the edges of this from classic MGM films. As a teenager, she started exploring further, stumbling across acid jazz and funk music, as well as diving deeper into music from some of the jazz greats such as Nina Simone, Billie Holiday etc. She also explored other music from the 40s, 50s and beyond, alongside the jazz. By age 16, Clare was singing solo vocals with the acclaimed school big band, having performed an array of music genres in public performances from the age of 3. At age 12, she and her friends won Bedfordshire’s ‘A Song For Europe’ competition, and at age 17, she and her 5 piece cabaret group – Cabarazz – were ‘spotted’ in a school concert and invited first to sing at a regional Duke of Edinburgh’s Award Scheme event in Cambridge, and then to sing at a private party hosted by HRH Prince Edward of Wessex at the Porchester Hall in Bayswater. NYJO visited her school that year, so she was able to also sing with them; and then at university, she swiftly joined the big band ‘Undergraduated’ as their sole vocalist, performing at a variety of gigs, including at Wembley Conference Centre (which seats 2000 people) as well as recording vocals on the band’s first album. During her time at university, Clare had a lead role in a month-long run of a new musical (awarded 4*) at Edinburgh Festival Fringe, as well as a number of other musical productions; and she also took a summer job as an auditioned Redcoat Entertainer where she was one of only 8 chosen for the additional dance show of the season. On graduating from university, Clare auditioned for a singing role for another well-known entertainment company and was offered the job on the spot by the Manager, on the back of her renditions of ‘I’m Beginning To See The Light’ and ‘Ev’ry Time We Say Goodbye’. The jazz pianist at this audition was so impressed, he offered to arrange her 4 part jazz pieces to accompany her gigs as she started out with her career, saying her voice reminded him of Stacey Kent. A year later Clare moved to London, starting in a non-jazz role to pay her way. An ‘open mic’ jazz singers night soon led to positive feedback, and an offer to perform as Judy Garland in an Edinburgh Festival Fringe Show swiftly followed. Unfortunately, her co-star and producer suffered an unexpected stroke around a month after the offer, so the production never went ahead. Clare’s career then ended up in a different area of the entertainment industry for some years, in an enjoyable role but with a great deal of evening (and some weekend) work making it difficult to pursue her jazz as well; so this was put down for some years. 3 years ago, however, Clare decided to pick it up again and entered an Advanced Jazz course for vocalists in London, followed by a Jazz Improvisation (Scat Singing) course. Jazz performance is now Clare’s main profession, and she is happy to at last be able to focus fully on her area of passion! Examples of recent gigs: • A two month jazz residency at a 20 year old London restaurant with a long history of live jazz performance • Jazz gig at a private party at a high end restaurant in London; followed by an offer of multiple jazz gigs for the venue’s normal restaurant nights • Jazz performance at a wedding in Provence, France • Vocal performance at a high end wedding in Naples, Italy • New Year’s Eve jazz gig at a 4* hotel in the Cotswolds, singing jazz tracks for dancing with a local jazz trio plus 3 sets of solo jazz with backing. • Invitations to record session music, to perform on jazz radio and to be part of a talent launching programme online. • Funk gigs at Cobham Golf Club, a small Surrey pub festival, and at a private party in Hampshire with an acclaimed funk band. Clare has performed variously with jazz trios & quartets, jazz pianists, big bands, backing tracks and more. Clare was also a violinist growing up (13 years), playing in orchestras, and in her string quartet doing public performances across the area during her 6th form years, as well as occasional solo performances; so her musical knowledge is broader than just jazz - Clare loves music from an array of genres. She also really enjoys putting together sets which will work well for the particular event / booking and audience, something she really values. Clare's list of available songs is varied and lengthy, giving you good choices from traditional jazz standards made famous by the likes of Ella Fitzgerald, Sarah Vaughan and others right through to the present day with jazz-style covers of contemporary songs in the style of Postmodern Jukebox, and much more. Clare can perform centre stage with pizazz, or as chilled background music, according to your preference. In addition to jazz, Clare can also sing a variety of related styles of music on request, particularly music from the eras of the 40s and 50s but also right up to the present day; and she can put together pure or hybrid sets of music to suit your requirements (provided there is enough notice). Clare loves to sing jazz (and more), and really enjoys performing for, and engaging with her guests. Sign off from Clare: I would be happy to answer questions or discuss your event with you in advance of booking if that would be helpful. Do get in touch today to explore what I can offer. I really look forward to connecting with you! Warm regards, Clare

Encore awards
1st Encoreversary
Jazz, Cabaret, Modern jazz, Latin jazz, Swing, Gospel, Postmodern jukebox jazz, Christmas, 1940s era music, 1950s era music, 1930s era music, 1920s era music, Motown, Funk, Disco, Vintage, Covers, Soul, R&B, Bossa nova, French music, Italian music, Samba
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Event types:
Hotel / Restaurant event, Bar / Club / Venue event, Wedding, Wedding proposal, Funeral / Memorial service, Church service, Private event, Corporate event, Charity event, Concert, Recording session, Cruise, Christmas party, Birthday party, New Year's Eve, Theatre / Show, Burns night
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Other skills:
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Song list

The below is a selection of my regular tracks, please enquire about any others you may like which aren't listed here as it's likely these will also be possible.
Jazz Standards - General:
Lullaby of Birdland
Cheek to Cheek
All Of Me
La Mer
I Get A Kick Out of You
Fly Me To The Moon
The Lady Is a Tramp
My Baby Just Cares For Me
Makin' Whoopee
Can't Help Lovin' Dat Man O Mine
Blue Skies
Moon River
Its Only A Paper Moon
Georgia On My Mind
Taking A Chance On Love
Ain't Misbehavin'
Sentimental Journey
Too Darn Hot
I Could Write A Book
The Best Is Yet To Come
But Not For Me
If I Were A Bell
Hushabye Mountain
Let's Do It (Let's Fall In Love)
Let's Fall In Love (Harold Arlen)
I Just Want To Make Love To You
The Best Is Yet To Come
What A Wonderful World
Autumn Leaves
On The Street Where You Live
Someone To Watch Over Me
Come Fly With Me
Bewitched, Bothered & Bewildered
In The Wee Small Hours Of The Morning
Do Nothin’ Til You Hear From Me
In A Mellow Tone
How High The Moon
Don’t Get Around Much Anymore
Take The A-Train
Why Don’t You Do Right
A Night In Tunisia
C'est Si Bon
Java Jive
Round Midnight
I Wish I Knew How It Would Feel To Be Free
Big Band Jazz:
It Don't Mean A Thing If It Aint Got Dat Swing
I Won't Dance
This Will Be (An Everlasting Love)
Straighten Up & Fly Right
Orange Colored Sky
I'm Beginning To See The Light
Sing Sing Sing
Don't Get Around Much Anymore
Puttin' On The Ritz
All Of Me
A-Tisket A-Tasket
The Bare Necessities / I Wanna Be Like You
Chatanooga Choo Choo
Boogie Woogie Bugle Boy
Choo Choo Ch'Boogie
Tuxedo Junction
In The Mood
(I've Got A Gal In) Kalamazoo
& more.
Latin Jazz:
So Nice
The Boy From Ipanema
A-Tisket, A-Tasket (samba)
I've Got You Under My Skin
Let's Call The Whole Thing Off
Nice Work If You Can Get It
Besame Mucho
Contemporary Jazz (incl. some Postmodern Jukebox):
All About The Bass
Single Ladies (Put A Ring On It)
Back On Bass
You've Got A Friend
That Man
Don't Know Why (I Didn't Come)
Nature Boy
Other Artists from the 30s and 40s, including:
Vera Lynn:
There’ll Be Bluebirds Over
We’ll Meet Again
I’ll Be Seeing You
The Anniversary Waltz
Lili Marlene
A Nightingale Sang
Keep Smilin’ Through
When You Wish Upon A Star
I’m Forever Blowin’ Bubbles
Goodnight Children Everywhere
There'll Always Be An England
When The Lights Go On Again
Now Is The Hour
Shine On Harvest Moon
& more.
Other Songs From The Era:
Sing As We Go
Don't Sit Under The Apple Tree (With Anyone Else But Me)
Pack Up Your Troubles In your Old Kit Bag & Smile
For Me And My Gal
Things Aint What They Used To Be
There Will Never Be Another You
Long Ago (& Far Away)
Lady Bird
Alexander’s Ragtime Band
The Last Time I Saw Paris
Let’s Get Away From It All
Let Me Call You Sweetheart (I’m In Love With You)
La Vie En Rose
Zip A Dee Doo Dah
When You're Smiling
Is You Is or Is You Aint My Baby
Baby Its Cold Outside
& many others.


From customers:

Gentz, L, 2 years ago

“Our customers loved her - some of them came back to see her several times. Clare was professional at all times, lovely to work with, totally reliable and really seemed to care about her audience. She sang a varied set of songs, with something for everyone included. The customers (and staff) enjoyed it immensely; we’ve invited her back!”

Ashley D, 2 years ago

‘Sublime vocals….Whenever I thought there was a record on or a playlist on Spotify, I looked across at you by the window and it was your voice, such a purity of tone and perfect pitch as well.’

Read all 4 reviews