Rosemary is a London-based soprano specialising in early music. Founder member of Poeticall Musicke.
Rosemary began her musical training as a violinist, before taking up place as choral scholar at Clare College, Cambridge. After graduating with a degree in mathematics, Rosemary studied for a Masters in Music at the Guildhall School of Music & Drama, specialising in Historical Performance. Rosemary spent a further year at GSMD as an Artist Fellow, whilst also studying at the Morley College Opera School. Rosemary currently studies privately with Mhairi Lawson. Recent solo performances include Purcell's King Arthur, Buxtehude's Membra Jesu Nostri, Rossini's Petite Messe Solonelle, Purcell's The Fairy Queen, Pergolesi's Stabat Mater, and a UK tour of de Lalande’s Leçons de Ténèbres in March 2014. On the opera stage Rosemary has appeared as Ilia in Idomeneo, Foreign Woman in Menotti’s The Consul (Morley Opera scenes), Anne in The Merry Wives of Windsor, Hero & Climene in Cavalli’s L’Egisto (scenes, Zezere Arts Festival, Portugal), Daphne in Peri’s Euridice (GSMD), Dido in Dido and Aeneas (Iris Theatre), and Zerlina in Don Giovanni (Camden Chamber Orchestra). Equally at home as a soloist and consort singer, Rosemary sings for the Choir of St Bartholomew the Great, and regularly performs with many ensembles including Tenebrae, the Huelgas Ensemble, Chamber Choir Ireland, Polyphony, Britten Sinfonia Voices and The Platinum Consort. Rosemary is the soprano soloist with early music group Poeticall Musicke, performing a wide range of repertoire from Caccini to Handel.
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